Peter Polack is an artist and researcher whose work addresses political experience under systems of technological control. His projects present as collections of political artifacts, speculative software, and intimate records: networked narratives that sprawl beyond the exhibition space, where technological utopias confront the nuances of social and political life. As a crip hacker and abolitionist, his analysis of technology and power uses health and the human body as a lens to reckon with systems that produce political and physical vulnerability.

His work has been published in humanities and philosophy journals, exhibited and presented in human rights fora, and used in grassroots settings for dismantling police information systems. He holds a PhD in Information Studies from UCLA and teaches on computational methods, with a theoretical focus on political theories of algorithms, critiques of police information systems, and the power structures of design and computation.

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